Agnes Fomina

FS Dillon is a rational typeface. Its inspiration came from our exploration of the work and philosophy of the Bauhaus movement of the 1920s and 30s, their pursuit of simple, practical forms. To this we’ve added a thoroughly modern flavour, stark yet warm, imbued with the quirky individuality that has become a Fontsmith signature. The letterforms are simple and direct. Compact, with a large x height, they are built for maximum clarity, economy of space, and impact. But that’s not all. The Bauhaus sought beauty through function – we think we’ve achieved that too.

Albert’s a charismatic typeface. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.

FS Albert Pro has multilingual features, including Latin, Greek, Cyrillic, Small Caps, Oldstyle & Lining Figures, Superiors, Fractions, Alternative characters.

FS Brabo is an eloquent typeface.

Not a revival, but very much a contemporary & sturdier interpretation of a garalde – a class of typeface originating in the 16th century with characteristically rounded serifs and moderate contrast in between strokes. FS Brabo is a modern take on a workhorse serif typeface: colorful and versatile enough to adorn not just editorial projects but also signage, advertising, logotypes and other uses.

FS Lucas is a geometric typeface. Based on near-perfect circles, triangles and squares. Taking classic geo formal qualities that have been optimised for the demands of modern brands, online and offline usage, readability and accessibility. FS Lucas is the bold and deceptively simple result.

This family is the slab serif version of Corporative https://latinotype.com/display-weights?font=56. The thick terminals give it a strong personality and distinctive traits. Original main strokes and rounded edges have been kept untouched in order to find a balance between both versions. Corporative Slab is the perfect choice for large-scale display use and it is also suitable for use at small sizes. This font works well for logos, posters, signage, packaging, branding, etc.

As you would expect from Latinotype, this typeface comes with a standard set of 350 characters that support over 200 Latin-based languages. Corporative Slab provides users with a wide range of glyphs and weights for every project—from branding and advertising to editorial designs. The family comes in 8 weights plus matching italics.

Hegemony is an energetic, modern calligraphy typeface which is composed of heavy and clean strokes. Its clean appearance will help you keep the balance of your overall design easier. It is made as a complimentary font that works well with any sans serif font and most design styles for both print and display purpose.

Hegemony offers maximum flexibility by its alternates which are available for all uppercase and lowercase characters.

Hegemony supports most latin-based alphabets in its Latin Extended-A character set. Its alternate characters and swashes are PUA-Encoded, which make them accessible through Windows/Mac built-in application (Character Map/Font Book).

The Wildaloney script is a beautiful, classic calligraphic font in regular and italic, which will add a sweet, elegant, and perfect feel to your design. It’s great for logo projects, wedding invitation cards, branding, home designs, product packaging, and every other design that needs an elegant typeface.

This script has more than 400+ glyphs in each style, has two uppercase heights and many alternative lowercase characters, as well as a large selection of stylish devices, allowing you to make your design truly unique.

To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions.

Tresor is a new Sans Serif font family with contrast. It has a classic look and a romantic twist thanks to its extended set of decorative alternates and ligatures. Tresor, meaning “treasure” in French, is full of jewels, including a beautiful collection of swashes. More than 1000 glyphs accessible through OpenType features invite you to customize your test. 

This stylish & modern font family includes 2 different styles and 3 different weights. The thinnest weight is Tresor 100, with Tresor 200 and 400 you get an extra thickness, heavier weights that are perfect for small sizes. Tresor works beautifully for headlines, weddings invitations, instagram posts, packaging design, stationery and logos.

Larky is a beautiful and unique modern calligraphy. This font has simple and interesting characters for various design needs. You can use it for embroidery, screen printing, business cards, cutting, branding, and more.

Larky has all uppercase and lowercase letters, also has alternatives, multi languages, ligatures, numbers, punctuation.

Drab is a neutral grotesque, but with decorative elements. Suitable for texts and titles. When you do not need a strong accidental but a boring set, Drab is also not suitable.

Drab supportsBasic Latin, Cyrillic and more than 100 languages all together.

The font was designed by Viktor Pesotsky.

Resist Sans is a free-spirited neo-grotesque that embodies both the innate desire for revolt and a tendency towards uniformity. While Resist Sans preserves the neat, minimalist look which is associated with neo-grotesques, it also accentuates the tentativeness of each letter form. The name, too, hints at the rebellious character of the typeface. Resist Sans comes in 20 styles (10 uprights and matching obliques).

Text vs Display

Resist Sans comes in two versions: Display and Text, which serve different purposes but remain interchangeable and even complementary in some cases. Resist Text is equipped with deep ink traps and optical compensators, which really come into play at smaller sizes. Certain glyphs (such as 'f', 't' and 'l') are more narrow, which makes larger bodies of text more uniform and solid. The Display version features more contrast, especially when rounder glyphs like 'p' and 'd' are involved. The aforementioned 't', 'f', and 'l' are wider, more idiosyncratic. It's perfect for headlines and logos. However, we also kept the narrower glyphs in Resist Display—they are accessible via Stylistic Alternates (ss01); wider letters can also be accessed in the Text version via the ss01 feature.

Styles/Weights

Each of the two versions of Resist Sans comes in 5 weights (Thin to Bold) and is equipped with matching Obliques, which brings the total number of styles to 20. Two trial styles (Text Light and Display Medium Oblique) can be downloaded free of charge. Each style contains 870+ glyphs, awesome OpenType features, and more than 2500 kerning pairs. 

Language Support

Resist Sans is truly multilingual. It supports most European and Latin-languages and features Extended Cyrillic, which gives access to such languages as Russian, Ukrainian, Bulgarian, Serbian, Macedonian and many more.

Free Styles

Two versions of Resist Sans can be downloaded for free on MyFonts. 

Type Specimen

Resist Sans PDF Type Specimen can be downloaded here: Resistance Sans PDF Type Specimen

Bon Apit is a monoline script typeface with extra features. Bon Apit comes in a handmade style and can perfectly be used for an elegant addition to any logo, invitation, product packaging, hand-written quote, greetings card, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, stationery, novels, labels or any type of advertising purpose.

• Includes multi-lingual support and special ligatures

If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternates using Font Book (Mac) or Character Map (Windows).

Thank you!

I originally wanted to call this font Instant Pudding. When I was a kid, we sometimes had instant pudding (the ‘add cold milk and rest in the fridge’ kind) for dessert. My brother and I loved the stuff, especially when some of the pudding powder had not dissolved and had turned into brightly coloured speckles!

But this font, alas, did not ‘feel’ like instant pudding, so I hunted the internet for other, more obscure, puddings. 

I found Spoonbread.

Apparently it is a pudding-like Southern American dish, made from cornmeal. I have never tasted it, nor do I particularly like corn (most of it is GMO anyway), but the font and the name became friends. And who am I to tear this beautiful relationship asunder?

Spoonbread - use it for your packaging, your books, your posters and your games. And when you make Spoonbread, use organic cornmeal!