Agnes Fomina

In most cases, motion pictures with a Western theme have their titles and credits lettered in type styles that reflect the period of the Old West.

In 1966, the titles and credits for “Texas Across the River” used casual sans serif lettering more suited to the 1960s than a Western taking place in the 1800s.

Nonetheless, the lettering inspired a digital font entitled Adventure Film JNL and it is available in both regular and oblique versions.

There is no doubt that the 1941 version of “The Maltese Falcon” was superior to the prior two attempts by Warner Brothers at filming Dashiell Hammett’s 1930 novel.

Sam Spade was perfectly portrayed by Humphrey Bogart, and the supporting cast of Mary Astor, Peter Lorre, Sidney Greenstreet and Elisha Cook, Jr. rounded out the main players in a great suspense film that is considered to be the first (if not one of the first) of the film noir genre.

The title cards for the production and cast credits were hand-lettered in a spurred serif type style strongly reminiscent of the Art Nouveau period, so instead of naming the digital version with some “tough guy detective” moniker, it was decided that Detective Client JNL was more appropriate.

After all, this is a reasonably attractive font, and in this kind of film it’s usually the “attractive damsel in distress” [be she the victim or the actual perpetrator] that gets the story rolling…

Detective Client JNL is available in both regular and oblique versions.

The Night Lamp is a horror style display font. Inspired from horror thriller movie. 

This font designed for Halloween, Horror, Thriller and Scary theme projects.

The Night Lamp would be perfect for logo, quotes, apparel, comic, cover books, cards, posters, or anything that requires a horror or scarylook!

While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.

The gently spurred serif hand lettering found on an advertisement for Berkshire Stockings (circa the 1920s) was the inspiration for Nouveau Elegance JNL, which is available in both regular and oblique versions.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

The hand painted signage from a 1950s era photo of the Miami Diner Restaurant in Miami, Florida inspired the digital version of its 1940s-influenced lettering.

Roadside Diner JNL is available in both regular and oblique versions.

Introducing a quirky monoline love font called "My Love Letter", a quirky playful font with 3 different versions of the font, the difference between each version is in the shape of the heart.

This font best uses for valentine, wedding, invitation, heading, cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more.

This font is also support multi language.

“Due Giorni”, two days in italian language, express a measurement of time, it can be little or a lot, depending on who or what it is used for.

“Due Giorni” is a script font very expressive, fresh, agile and dynamic, hand-drawn with connected forms on slanted angle of 23º

This font contain 542 glyphs with plenty OpenType features: Standard and discretionary ligatures, stylistic alternates, swashes, Old style figures, small caps, case sensitives and ornaments.

It come also, with three kind of capitals: Roman Capitals, Small Caps (different proportions) and Swashes.

Roman Capitals are inspired on the beautiful inscription found in the Augustorium’s house in Ercolano, Naples.those letters have been carefully drawn and sculpted. Swashed Cursive Capitals are similar to 18th century penmanship.

“Due Giorni” is a versatile font that may give you the chance to create original logos and headlines, specially by many stylistic sets, ligatures and alternates that can be combined with them.

It is not really a font, they are more icons. Based on a grid of seven circles al 127 possibilities – filled an unfilled. Use it decorative or just for fun.

Spooky Monsta is a spider web display font. This font is inspired by an old embossed nameplate with cobwebs in it. So I made it a font. This font has an uppercase and lowercase version that doesn't have a cobweb, so you can be more creative. In addition, this font has a ligature feature that makes the cobwebs of each word cooler.

Spooky Monsta would be perfect for Logo, title, logotype, cover, headline, apparel, comic, cover books, cards, posters, or anything that requires a horrror or scarylook!

Spooky Monsta is a spider web display font. This font is inspired by an old embossed nameplate with cobwebs in it. So I made it a font. This font has an uppercase and lowercase version that doesn't have a cobweb, so you can be more creative. In addition, this font has a ligature feature that makes the cobwebs of each word cooler.

Spooky Monsta would be perfect for Logo, title, logotype, cover, headline, apparel, comic, cover books, cards, posters, or anything that requires a horrror or scarylook!

Spooky Monsta is a spider web display font. This font is inspired by an old embossed nameplate with cobwebs in it. So I made it a font. This font has an uppercase and lowercase version that doesn't have a cobweb, so you can be more creative. In addition, this font has a ligature feature that makes the cobwebs of each word cooler.

Spooky Monsta would be perfect for Logo, title, logotype, cover, headline, apparel, comic, cover books, cards, posters, or anything that requires a horrror or scarylook!

The hand lettered credits from the 1942 British film comedy “The Goose Steps Out” became the model for Goose Creek JNL, a simple sans serif design available in both regular and oblique versions.

According to the Internet Movie Database (imdb), “A bumbling teacher turns out to be the double of a German general. He is flown into Germany to impersonate the general and cause chaos and hilarity in a Hitler Youth college.”  

The title is a parody of the “goosestep” style of marching by German soldiers during World War II.

As a variant on the movie’s title, the font was named for Goose Creek, South Carolina – a charming community just northeast of historic Charleston.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This stencil typeface only contain the bold weight, but there are also available other versions without stencil cuts, like Nouveau LX and Nouveau LX Expanded.